Top 20 Songs of 2008
Sunday, December 28th, 2008If you’ve been browsing the interweb over the last couple of weeks you may have come across a “Best of 2008″ list of one type or another. The best movies, the best songs, the best pet food, the best pants worn by a celebrity, the best organic milk, the best “best of” lists and so on. Well here at Pop Culture Coast-to-Coast, we dare to be different. Usually. In this case I will lead us into the familiar territory of conformity, followed by shame, and give you another such offering. However, this means you get to see yet another list of the top tracks of 2008 so that you can hear even more opinions about what “experts” think was the best music of the year. In my defense, I’m an expert without the quotation marks. Let’s get to it:
#20 Sara Bareilles - Bottle It Up

Her piano-laden jam Love Song was one of the biggest songs of the year, but her finest pop-creation was the lesser known, second single Bottle It Up. A little more funk and R&B than her most popular track, this song provides a groove that Alicia Keys herself could easily rock. The opening line says it all “There’ll be girls across the nation that’ll eat this up…”
#19: Black Kids - Hurricane Jane

A group that was the “it” group of the year. After Vampire Weekend and MGMT had finished their turns as the “it” groups of course. I like the smooth stylings of the refrain that appears before the chorus. It gives you the added bonus of sounding aloof, and thus desirable. “You can spend the night - yes, I’m sure you’re right..”. Yes, you are right…
#18 Wild Sweet Orange - Ten Dead Dogs

A former Weekly Music Spotlight track, this song has a mellow quality that diverts your attention from the melancholy lyrics and gives the illusion of a romantic tune to court your lady. Or gentleman. Ladies can woo dudes right? Right? Beautiful harmonies and delicate guitar playing combine for a very pleasant listening experience; one that is sure to please the object of your respective affections.
#17 The Raveonettes - Aly, Walk With Me

A thundering mix of base, guitar, distortion and vocals, The Raveonettes put together an assault on your eardrums with this genre manipulating track. Is it industrial? Is it hard rock? Is it rock at all? What do you call this? I call it awesome.
#16 Delta Spirit - People C’mon

An interesting band, that sounds to me like they’re straight out of the deep south breeding grounds of bluegrass and alt-country. Instead, they hail from San Diego, but do manage to bring a familiar, somewhat gospel, southern rock style to their songs. People C’mon is perhaps the best example of that as it is essentially a plea for decency masked as a catchy pop-rock jam. Dig it.
#15 The Virgins - One Week of Danger

A catchy little tune that oozes sexual bravado urging young ladies to do what comes natural. However, The Virgins would like you to know that their brand of love does not involve commitment, respect or romance. “Is there something that you love about her? No. There ain’t a woman in this world I won’t let go.” At least they’re up front about it.
#14 Duffy - Warwick Avenue

Ahh Duffy. I love her. Yet another track to come from the Weekly Spotlight, and this one features a sultry Motown vibe, straying from the usual rock selections of the Spotlight. This track is the showpiece for Duffy’s gravely, seductive voice and really gives us a chance to see what she brings to the table as a songwriter and broader artist. A track that seems so personal, yet speaks of a sadness to which everyone can relate.
#13 Coldplay - Lovers in Japan

Sure sure, the title track to Viva La Vida was the signature piece off of Coldplay’s return to greatness, but the real return lies in Lovers in Japan. It embodies everything that made Coldplay great in the first place. A soaring opening, soulfull lyrics, and most importantly, lots of piano. This is their most impressive song since A Rush of Blood to the Head, only Martin has traded in his downtrodden melodies for an upbeat tempo that begs to be blasted on a sunny day with your car windows down.
#12 The Whigs - Right Hand On My Heart

Flying under the radar, but embracing their Athens, Georgia college sound, these guys were one of the brightest spots on the indie rock radar. A stripped-down, varied-tempo “real” rock song is what you’re going to get with these guys, and I have to say I find it refreshing. This one is a great addition to the genuine southern rock jams, that would make the Van Zants proud.
#11 MGMT - Kids

Oracular Spectacular spawned some of the greatest songs of the year; and here’s one of them. This is a catchy, synth heavy track that is sure to put even the most clinically depressed in a fantatstic mood. Light and airy, like a Pilsbury biscuit, this is the ultimate in summer daydreaming tracks. Plant yourself under a tree, throw on this tune and let MGMT soothe your cares away. Like a massage. A massage from a musical biscuit.
#10 Chairlift - Make your Mind Up

A sultry, melodic opening is only the bait used to suck you in before hammering you over the head with ear-splitting vocals and a pulsating chorus. I found this song to be a huge surprise considering it’s so drastically different from their Ipod pushing “Bruises”, but in a great way. I like this darker, more pain-induced sound that is tailor made for those with indecisive companions.
#9 Wale - Nike Boots

DC’s finest brings a song of enormous proportions with Nike Boots and shows there is more to the rap game than just dudes with “lil” in their names. This song offers a touch of that southern flare with beats reminiscent of Outkast, but makes it complete with towering vocals that invoke the spirit of Brooklyn’s hardest emcees. This song manages to blend the nuances of popular rap with a more deft lyrical intricacy than the radio has to offer. I hope it is ushering in a new dawn for the genre.
#8 Guns ‘n Roses - Better

Axl’s return to rock was an offering of surprising merit, causing all the hipsters to table their pretentious anti-Axl jokes and pretend they loved it all along. The real fans know, this was Axl’s solo album; a chance to show he could still rock with the best of them. Better is the validation he has been so desperately seeking. A classic Axl melody and vocal-shredding chorus is upstaged by a scorching symphony of guitars that embody every stlye Axl has ever embraced. While 13 years was a long time to wait, this song alone made it all worthwhile.
#7 The Kooks - Do You Wanna

Straight off of their sophomore LP, Konk, The Kooks continue to put out great song after great song. Do You Wanna is a more straightforward rock song than the band usually serves up, but rest assured they were up to the task. A killer guitar riff sets the stage for sexually charged lyrics and a rhythm that defies you to sit still. Why these guys don’t get more coverage is beyond me, but I promise to continue to sing their praises as one of the best bands out there.
#6 The Kooks - Sway

The Kooks are back with another track on the countdown, that I apparently feel is just slightly better than Do You Wanna. Sway offers more variety in terms of tempo, and has a stirring chorus perfect for rocking out when you have that special someone on your mind. Who knew I was such a softy? No one, that’s who.
#5 MGMT - Time to Pretend

A beautifully crafted song about the highs and lows of rock stardom that simultaneously mocks and glorifies the entire stereotype. It demands you to turn up the volume as soon as the opening notes ring out and manages to rise to a dramatic crescendo, with the synthesizer building perfectly to Van Wyngarden’s lyrics of everything running its course. A self-fulfilling prophecy? We’ll have to wait and see.
#4 Kings of Leon - Sex on Fire

The hard-drinking, indie rock Gods were back in 2008 trying to replicate their European success here in the U.S. While they still haven’t attained the level of respect they receive across the Atlantic, the Followill brothers (and cousin) garnered acclaim out of the gate behind the power of this stadium anthem. Stadiums in England of course. Gritty guitar, straight-to-the-point lyrics and that distinctive Caleb Followill voice make this easily one of the top songs of the year. Plus, it makes for a sweet pick-up line.
#3 Vampire Weekend - Oxford Comma

When this band was soldifying itself as one of the breakout groups of the year (they were surpassed by MGMT over the summer, but seemed to regain their stronghold at the end of the year) everyone talked about Cape Cod and A-Punk as the testaments of their greatness. However, Oxford Comma is the track that showcases their lyrical talents and rhythmic abilities. The juxtaposition of referencing Little John and The Dalai Lama (I’m assuming he’s the highest Lama) in the same song while satarizing the pretentiousness of the Martha’s Vineyard regulars is an act of musical greatness.
#2 Bon Iver - Skinny Love

Sad, desperate, moving and beautiful, Justin Vernon captures all of these qualities in his hauntingly soulful, post breakup depression anthem. His falsetto sound touches every wound inflicted, while his lyrics paint the portrait of someone who has given up on himself due to the stinging bite of the wrong end of love. Simple and elegant, this is truly one of the most memorable songs of 2008.
#1 MGMT - Electric Feel

3 of the 20 best songs of the year? Yes. The best song of the year? Yes, and it’s not Time to Pretend. Electric Feel represents everything that is good about music. A wonderfully unique rhythm and blend of percussion and synthesizer provides a rich, layered backdrop for eeriely catchy lyrics designed to make you sit up and take notice. This is a song unlike any other that I’ve heard in a long time. The chorus alone is the perfect blend of sexual allusion/veiled drug reference, but contains enough dark undertones to possibly present a cautionary tale. This is the best song of the year - hands down.
-John








